Tropes

The word “trope” is one of my favorite writing terms. It refers to a creative device that’s not quite a cliché, but is sufficiently familiar as to be recognizable to the reader (or viewer of it’s regarding a movie or TV program). Tropes have been on my mind a lot lately. One of my many side projects these days is writing a treatment for a television sitcom that I think will strike the right chord in these times. Including tropes in the sample episodes is a necessary evil and somewhat tricky business, too. You want to put in some familiar gags to give the audience a comfort level with the material, but at the same time, you want to avoid coming off a hackneyed and stale.

So it’s no surprise that when I was at the Y the other day and found myself without my ear buds, that the thought of tropes returned to keep my mind occupied while I did my cardio workout. As a mental exercise, I came up with an example of a trope that could be used in different ways within a similar scenario.

The scene takes place in a health club, full of all kinds of fancy machines and attractive people in exercise gear. Most everyone is very fit, though you may have a few “regular” people working out among them. Enter your main character, a guy ready to exercise. Let’s call him Joe. The basic action in the scene is this: Joe walks over to an unoccupied treadmill, gets on it and falls, at least once, due to his ineptitude, cockiness or any number of other reasons. As he lies in a heap, bruised and humiliated, he becomes an object of ridicule, ending the scene.

Sound familiar? Could be something that happens to Howard Wolowitz from The Big Bang Theory or Mr. Bean (or even Jack Tripper, in Three’s Company, if you’re a 70’s TV fan), right? Will you laugh even if you saw this in another show before? More than likely, yes, because one of the basic rules of comedy is people laugh when others fall down, as long as they don’t really get hurt.

Let’s see this in action. Here is the scene with two different Joes.

Joe #1 is a macho guy. He looks like he’s been working out for years, but he’s not a muscle-bound weightlifter. He’s dressed in the most gaudy workout clothes out there, designed to emphasize his physique. You know the kind of guy I’m talking about. Anyway, this Joe walks in like he owns the place. He scans the gym slowly, an animal on the hunt. He’s obviously looking to see if there are any hot women he can flex for. He spies some lovely ladies near an unoccupied treadmill, so he strides over to the machine and climbs on. Joe looks left, then right, smiling his most winning smile at the two women, then starts up the treadmill. Everything seems to be going fine at first as Joe trots at a low speed. He’s looking good (he thinks), smiling as though there’s nothing to this and nods to the two women like “this is the way it’s done.” For their part, neither woman really respond much, something not lost on our friend.

Then Joe decides it’s time to pick up the pace to raise the stakes, so he hits a button or two and starts jogging faster. He looks at the two ladies again, but they’re unimpressed as they continue their own exercise. Not to be daunted, Joe hits the button several more times until the treadmill is turning at an almost maniacal pace. Now it looks like Joe can barely keep up, but he keeps that rictus of a smile plastered on his face as he struggles to pump his legs fast enough to match the machine’s speed. He then makes the fatal mistake of looking at both women to see if they’re watching and KA-BLAM, he slips and the treadmill launches him backwards on his butt. The two women finish their exercise and towel themselves off as they step over the now prone Joe.

Pretty funny, right?

Joe #2 is totally different. He’s a geeky-looking fellow, not conditioned at all, wearing unfashionable clothes -- checkered shorts, extra long athletic socks, an “E = MC2” T-shirt, and the like. It’s obvious he’s probably never stepped into a gym before and he appears to be lost with all the bustling activity going on, not to mention all the machines standing like trees in a metal forest. He wanders sort of aimlessly, looking with more than casual interest at some of the other exercisers and appears a bit befuddled by their obvious skill. He backs up and bumps into an unoccupied treadmill. A woman comes up to him and asks if he’s using it and looking confused, he stammers he is, then climbs on. Joe stares at the panel with all the buttons and lights and tries to figure it out. The woman looks on and asks if he needs any help, but of course, Joe’s ego is going to trump his common sense here and he declines. He pushes one button and nothing happens. Then he pushes a second one and the treadmill begins to turn. Joe has to grip the handrails to prevent falling over and straddles the moving belt, watching as it rolls under him. Still hovering over him, the woman tells him he needs to step on the belt and walk at the pace it is moving. Joe thanks her and tries it.

To his surprise, he’s moving along quite nicely and he smiles, pleased with himself. Unfortunately, curiosity creeps in and he can’t help but push another button to see what happens. The machine speeds up and Joe barely keeps his feet while maintaining the treadmill’s pace. Somehow, the machine speeds up some more without Joe’s intercession this time and he’s now struggling to keep up. The machine ramps up another notch and now Joe is running as fast as he can, panting like a madman. The woman tells him to hit the red button, but Joe can’t hear her over the roar of the machine. She yells again, “The red button!” and he repeats it after her, then sees the button she means. He presses it; the machine stop immediately, but Joe isn’t expecting that and his forward momentum sends him careering over the top of the treadmill and he lands face first in front everyone. The woman walks over to him, bends down and instead of asking him if he’s okay, she wants to know if he’s done using the machine now. He replies with a resigned “yes.”

Can you picture it?

I’m sure you can imagine other Joe scenarios (like Joe who has a crush on one particular woman, sees her there and wants to impress her on the treadmill, and his shoe lace gets caught in the mechanism, sending him flying). Or what about if you add a prankster to the mix? Either it’s a friend or rival in any of the above circumstances who sabotages the machine while Joe is on it -- say by stepping on the back of the belt or pulling the plug -- and the consequences are the same with poor Joe sailing this way or that, landing on some body part that’s going to hurt like hell later.

Want to know more about tropes? Check out this link.

Tropes, my friends -- fun for the whole family, don’t you think?

- Michael

Organizational Me

Those people who know me are quite familiar with my lifelong preoccupation with organization and its scion, time management. That’s not to say in this area I’m practically perfect in every way (to quote a description of Mary Poppins) -- God knows my wife can point to examples of my LACK of organization, to be sure. However, in certain areas of my life, most notably my writing, I’m forever actively pursuing my ideal world and devote much time to the effort.

For many years, I’ve used Microsoft OneNote to keep my writing organized. OneNote allows you to create a notebook-like structure that you can arrange to handle all of your writing needs. For example, since I write many different types of pieces, I break mine down from top down beginning with Movies, Television, Non-Fiction and Fiction. Both Movies and Television are broken down into Comedy, Drama and Action / Adventure. Under Fiction, there are Novels, Novellas and Short Stories. Under Non-Fiction, you’ll find General Essays, Technology and Blogs. Each of these is split further until I finally get to different sections for each work-in-progress, with a separate section for story ideas and snippets, the latter of which is just a container for fragments of prose I compose out of the blue with no other intended purpose other than to get an idea out of my head and maybe use some day.

Unfortunately, OneNote is not a cross-platform product, leaving me bereft when I migrated to the Macintosh. For a while, I continued to run OneNote on a Windows virtual machine, but that grew old pretty quickly. Then I discovered Evernote, a true cross-platform product that allows you to maintain your data in a cloud and makes it accessible to all your IOS, OSX and Windows devices. I found my nirvana! The only challenge was moving all my data from OneNote to Evernote. There was no easy migration path that I could figure out, so I did what anyone would do - I avoided it.

For the last few years, I adapted Evernote into my organizational system, only moving some of my active WIPs from OneNote into it, but leaving 90% of my older unfinished material to gather digital dust. Until recently, that is.

I finally broke down and began the long arduous process of moving all my old data into Evernote. It took several weeks to go through everything I had and then rearrange Evernote to accommodate it all. I tried to maintain the same organizational system in Evernote that I had in OneNote, but I had matured that process significantly in Evernote. Besides, since Evernote doesn’t have multiple layers of hierarchy (unlike OneNote), I had to learn to live within the two-layer system they have and then figure out how to go from conform my old structure to my new one. Trust me, this was a lot more work than it sounds like.

In the end, I’m pleased with the results. All of my legitimate projects (current and future) now reside in their own Evernote folder, with story ideas, snippets, fodder (web articles with potential story material), articles and the like all occupying their own folders. I have documents in a general Writing folder dedicated to Titles (book, story, whatever), Names (people and places, of either real or made-up names), Opening Lines (starting sentences that just come to me) and Loglines (single sentences describing a film idea, like “An amateur scientist discovers the secret to immortality, only to discover that the government will do anything to prevent the invention from getting into the wrong hands.”).

The best part of this exercise is not only did I pick out the next twelve stories in the last of the Foothills collections (tentatively entitled Life Beyond the Foothills), I have another dozen as back-up (for another collection down the road), PLUS I have thirty-six more for a three-book sci-fi series of twelve stories each. Not all of these stories are complete yet -- some are merely titles and general plots, others are halfway through the first draft, etc. However, I’m now ready to start the next book for real!

Stay tuned for more …

Michael

Labor of Love

Slightly longer than four years to the day, I published my second short story collection, Secrets of the Foothills. This book is the second of three books in the Foothills series, the first of which was entitled In The Foothills. [Ed. the capital “T” in “the” was completely intentional. Don’t ask.]. If everything goes according to plan, the final collection will be published in less than two years from now.
What keeps authors driving toward completion, especially when faced with the daunting task of creating from scratch a plausible narrative, rewriting, editing and polishing the draft so that it sparkles, handing it off to beta readers and editors who red-line the hell out of it, rewrite, re-edit and re-polish and so on, only to send it timidly into bookshelves (virtual and real) throughout the world?

Simply put, insanity.

Sure, you were expecting something more poetic with the title “Labor of Love,” but in truth, we authors have to be a little bit out there to do what we do. The same goes for artists in any medium, I guess. Voluntarily baring one’s soul for a public flogging certainly isn’t a sign of someone playing with a full deck, right? And yet we do it, willingly, gladly, even joyfully if we’re doing it right.
What does it take to be a writer? Talent, sure. Guts, absolutely. But if you’re not a little bit eccentric, you may just be like Sisyphus pushing that big ol’ rock up that hill, year after year, typed line after typed line. It’s not going to work for you no matter what you do. If you’re not non compos mantis, you need not apply. Really.

We writers are the odd ones, always looking off in the distance, trying to resolve some conflict our main characters have found themselves in, because God knows we didn’t put them there, right? Or when we finally show a little mercy to our protagonists, we’re busy dreaming of new ways to torture them. We’re sadists AND we’re masochists, it seems. Yeah, we’re normal alright, aren’t we?

Of course, I’m just kidding. Who among us who take the craft of writing seriously could ever see ourselves doing anything else? We’re not crazy -- we just have something to say and want to do it in the only way we know how and damned the consequences. We want to create people or worlds or whole universes simply because we feel this is the best way our message can go out to get through to the right people, if only they would listen.

Writing is truly a labor of love. It’s the best way I’ve found to say something profound and in an entertaining way. There’s power in knowing you can do that. You know what I mean, those of you who love to create.

So, keep your pen sharp and your quill well-inked … and remember, publishing a book isn’t an end, it’s only permission to start a new one.

~ Michael ~